Saturday, 18 September 2021

Ian Tyson - Beverly (1977), Alberta's Child (1980), Ol' Alberta Moon (1981), Alberta's Child (1983)

So, here's that other Highwood single - from the legendary Ian Tyson! We had to go back a revisit the timeline of his career to figure out how he ended up releasing this piece of vinyl (along with another) on such a small label. The duo of Ian & Sylvia called it quits in 1975, around the same time The Ian Tyson Show - and in 1980 Tyson signed on with a new manager that helped to reinvigorate his career. 

In that interim period between 1975 and 1980, he put out a few recordings on smaller labels (Gary Buck's Broadland imprint, the Hitchner's Highwood, and Stompin' Tom's Boot Records). We've got a selection of singles (mostly) from that era of his career, including three singles that are Alberta-themed. Oh, and two of which are the same song. That second, major-label version of "Alberta's Child" is in here also because it was mixed by Richard Harrow in his Living Room Studios.

Get 'em here!

Friday, 9 July 2021

Stampeders - Singles (1970-1979)


There are a few gaping holes in the CCPS archives, perhaps none more noticeable than the Stampeders. SO! Because we're suckers for stupid wordplay, we're pleased to present: A STAMPEDE OF STAMPEDERS SINGLES FOR THE STAMPEDE! 

Roy Wilcox traces the history of the Stampeders in Garage Band Rockers; they formed out of the nucleus of the Rebounds, with Rich Dodson and Kimball Meyer (aka Kim Burley), and the Ronnie King (aka Cornelius Van Sprang) of the Ekotones and Paintbrushes. The band released a track on a comp put together by manager Mel Shaw before decamping for Toronto in 1966... 


Which means that this stack of singles aren't really Calgary singles, technically. Plus, we don't have their signature tune in here, the 1971 #1 hit, "Sweet City Woman." But we think the sheer volume of other singles should make up for that - and since it spans their career (prior to their reforming in 1992), it's a pretty wide ranging bunch of stuff. Early tracks like "Carry Me" are in a distinct folk rock vein, while "Devil You" is more country rock. "Wild Eyes" is hard rock, "Ramona" is arena rock, and strangely "Bring The House Down" is funk rock. At least it's all rock. Thanks to garage rock guru Al Charlton for tipping us to the b-side track "Ride In The Wind," a great tremolo-laced, breezy track.

We're pleased to finally close up a bit of a gap in the archives - celebrate the return of the Stampede and Stampeders here!

Edit: we relented, and found a copy of "Sweet City Woman," adding to this post for completeness.